TIME FOR THE SHOW is back for a second year, thanks only to the tireless labor of the children in the Hypercube sweatshops, whose names will quickly be forgotten by history, but whose deeds will continue to earn us “likes” on Farcebook. The hosts planned a meeting before this episode to talk about what to do with the show in the new year, but it wouldn’t be an episode of TIME FOR THE SHOW if we didn’t spend the show talking about what to do on the show, so it was decided to save said meeting for the show, which turned out, as usual, to be potentially, but not actually, a good idea. All of the above plus Blind Eyes, Viewer Mail, Is It a Band, and Peas’s Apologies in this, the premiere episode of 2019 of TIME FOR THE SHOW!
Caller 23 and Chef Gutenberg join Doktor Faux in the studio as Peas re-learns how to do radio. Faux asks peas about Koreans, things peas would say that would make others think he’s stoned and answers letters from the Hypercube mailbag. Faux introduces the SHOWCIETY points system. Peas discusses how he is a good racist, if not the best before ranting through a songbreak and then apologizing and leaving. Doktor Faux reads from the new CUBESPEAK booklet.
In the last live broadcast for 2019, Doktor Faux invites Fidd Chewley into the studio to hash-out any outstanding beefs between them. Reverand peas introduces the show and takes on a historical review of how the show started before mediating between the two over a discussion of professional courtesy, context and feelings. The show devolves into mud-slinging as the two come to realize that the partnership has completely dissolved before Fidd ultimately walks out of the studio. There are no resolutions or compromises. This ended up being a gigantic waste of time.
Doktor Faux has flown off the deep-end (again) and continues his downward spiral into insanity. Has the job of weekly comedy-distiller FINALLY broken him? Peas shows up to discuss right-wing family values, broken links and it continues (once more) Into an episode of Chopping Block