A snuggly evening with Caller 23 and peas. The gang plays “Pokemon or Prescription Medication”, Doktor Faux proposes being the first person to die on the moon.
It’s production night in the studio as Doktor Faux wrangles Reverand peas into the booth to get the commercials done. Chef Rutenberg, Admiral Fridgelord and Caller 23 join in on heavy-hitting conversations such as Mozart’s birthday and how to properly tell racist jokes. It’s a laugh-a-minute, give or take a few half hours.
In the last live broadcast for 2019, Doktor Faux invites Fidd Chewley into the studio to hash-out any outstanding beefs between them. Reverand peas introduces the show and takes on a historical review of how the show started before mediating between the two over a discussion of professional courtesy, context and feelings. The show devolves into mud-slinging as the two come to realize that the partnership has completely dissolved before Fidd ultimately walks out of the studio. There are no resolutions or compromises. This ended up being a gigantic waste of time.
Danny Feedback and the Crack Rockers Officer Travoli and Sal Minelli crash into the Hypercube Studio and live up to their names as the control-panel erupts in a cacophony of noise and confusion. We sample the Divalution of Danny Feedback along with some secret songs from their past (provided from Joshua Rogers) and the triumphant return of on-air pissing (into a bucket!).
Tony Millionaire, of Maakies and Sock Monkey, joins Doktor Faux for a rare one-on-one cage-style conversation about aesthetics, old-world inspiration and Popeye cartoons. Tony explains the story of Marion’s Bicycle as well as an interesting tale of how to get your underground comic it’s own late-night television show (PROTIP: it’s hard). The two also geek-out over classic cartoons and the death of creator-driven content!